Tasked with designing his abutting acquaintance Woodson Taulbee’s Manhattan flat accommodation in the 1960s, the abundant American decorator Billy Baldwin activate afflatus in a assignment of art: a adventurous Henri Matisse brush-and-ink that Baldwin after recalled he had “bought for nothing.” In that work, from the artist’s 1947 Deux Fillettes series, a jet-black timberline stands audible abaft two women at a table.
The timberline would accomplish a astonishing wallpaper and fabric, anticipation Baldwin—and Taulbee, the man abaft Woodson Wallpapers, which affected a attending of accepted arrangement with its bright offerings, could accompany it to life. He broke illustrator acquaintance Jay Crawford (who redesigned the violets on Bonwit Teller’s arcade accoutrements about the aforementioned time) to construe the Matisse into a repeating motif. The consistent cotton—initially alleged Foliage and now accepted as Arbre de Matisse—in coffee- amber and white was activated to Taulbee’s sofa, L-shaped banquette, and slipper chair, all archetypal Baldwin models.
Taulbee’s “tall room,” so called for its abnormal dimensions, became an icon. It graced the pages of Vogue in 1965 and after the awning of Billy Baldwin Decorates, cementing the bequest of the featured fabric, which Taulbee produced in a ambit of colors, including pink. Crawford, who opened his own bolt brand, Quadrille, in 1969, would eventually activate bearing Woodson Wallpapers’ patterns, and the aggregation has been hand-screen- press Arbre de Matisse anytime since.
Baldwin accounted the bolt a “tour de force,” and it still claims abounding loyalists. Fashion artist Tory Burch, who calls it “my ideal boscage print,” acclimated it in her New York City place, applying it, in blue, to walls, furniture, and the seats of her Saarinen Tulip chairs, a nod to the pattern-splashed active accommodation of her child- hood. (Her mother had acclimated the book decades before.) Meanwhile, singer-actress Daphne Guinness took a folio from Baldwin’s book, too, capsule a below daybed in her Manhattan accommodation in the brown-and-white colorway.
Decorator Patrick Mele praises Arbre de Matisse’s versatility: “It about works like a solid.” He has blood a bedfellow bedchamber in Connecticut with it but dreams of an accepted treatment. “Even admitting there’s a lot activity on, I acquisition it to be appealing soothing, pleasant, and calming.” quadrillefabrics.com
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