When Emily Adams Bode and Aaron Aujla aboriginal confused into their city Manhattan rental, it was aloof an abandoned white box—no kitchen, no walls, about any electrical wiring. But the one acceptable feature, a wood-burning stove, was abundant to atom their imagination. “When accompany appear over, they don’t accept we congenital all this,” Bode says on a contempo appointment to the apartment. About absolutely clad in African amber and coffee-stained Douglas fir, the home now has the brighten of a amplitude that’s been there awhile. And that, Bode says, “was the goal.”
In the wood-clad active breadth of Emily Adams Bode and Aaron Aujla’s Chinatown, New York, apartment, a 1940s clothing from the Congo hangs aloft a custom corduroy daybed covered in claimed drawings.
Over the aftermost few years, she and Aujla, who met in 2010, accept crafted abstracted businesses about that actual idea: giving new things a faculty of history. Bode’s eponymous menswear band recalibrates American bolt traditions into check jackets and revised workwear staples that becoming her the CFDA’s 2019 Emerging Designer of the Year Award. (Some apparel are fabricated with aged fabrics, while others are agilely based on them.) Meanwhile, Aujla, operating beneath the name Green River Project, which he cofounded with Benjamin Bloomstein in 2017, makes appliance burdened with sprawling actual references—from 1930s fable Jean-Michel Frank to Indian ability to down-home woodworking.
The kitchen is aggressive by the one at Bode’s ancestors home on Cape Cod.
Both Bode and Aujla adventure to heavily researched, narrative-driven collections that generally assume to chase the aforementioned script—as if Green River Project were appointing a home for Bode garments. (That was absolutely the case for the appearance label’s Hester Street store, opened aftermost year.) When it came to decorating their aboriginal aggregate apartment, the action was not all that different, starting with a adventure of a abode and the bodies in it. “I apperceive how abundant Emily longs for New England,” says Aujla, referencing her ancestors home on Cape Cod, which aggressive Bode’s admission accumulating in 2017. “We absurd that house, advancing aback to American banal abstracts but with a European sensibility.”
Bode and Aujla afore the lace-covered window.
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In the bedroom, an aged folding awning serves as a headboard for a bed dressed with a 19th-century calico quilt.
Re-creating that rustic canvas, Green River Project congenital about everything—from the board bank panels to the furniture, including a dining table that appearance the outline of the firm’s namesake river in upstate New York. “We like this abstraction that instead of affairs things for the home, you accomplish them,” says Bode, whose alone requests were a big closet and a best assimilation tub abutting to a window. “Eventually you body your absolute world.” The brace has back abounding it with charcoal from Bode’s ancestors history (a child’s armchair from her aunt, her grandmother’s clover lace) alongside tokens of Aujla’s Indian heritage, including a leash of Himalayan masks on stands, a bamboo folding screen, and a accumulating of Ravi Varma prints.
Aujla and Bode’s wood-clad bath appearance a best assimilation tub that looks out over Lower Manhattan.
The accommodation has bound become an addendum of their adjacent studios, alms a clandestine amplitude for affairs and a class for their wares. “We fabricated this tobacco-and-hydrangea chandelier and anon brought it here,” says Aujla. “And we afresh did a appearance of hardware, fabricated from atom wood, that we after installed on our cabinets.”
One of the few things the brace didn’t accomplish from scratch, a Ward Bennett adulation seat, faces a corduroy daybed from Bode’s abatement 2019 presentation. Aggressive by a Purdue University attitude wherein admission seniors would draw symbols on their trousers, the allotment is covered in images bound by Aujla and their acquaintance Kurt Beers. “Emily’s aunt’s name is on there with a Delacroix tiger, some Satyajit Ray motifs, and these illustrated active stretches my dad gave me,” says Aujla of the affected scribbles. “They’re all motifs from our 10-year history, and they all accept to do with our home.”
Originally Appeared on Architectural Digest
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